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Disappearing anime studio resurfaces; still owes ¥8 million to unpaid workers

9 Comments
By Casey Baseel, SoraNews24

Making anime is a tough job in a highly competitive field, and not every artist or organization in the industry will stick round forever. Still, it’s pretty weird for a studio to basically disappear, but that’s what seemed to happen with Tokyo-based Tear Studio earlier this month, as both unpaid artists and even business partners couldn’t get in touch with anyone from the studio.

However, Tear Studio has now suddenly resurfaced, though sadly only to announce the company’s demise. Tokyo Shoko Research reports that Tear has submitted its bankruptcy paperwork to its lawyer, who will be formally filing it later this month. Meanwhile, roughly 50 workers, including animators, remain unpaid for their work, and depending on how the bankruptcy proceedings go, could possibly never receive compensation.

For those wondering how Tear’s temporary vanishing act was possible, most anime studios don’t maintain a large permanent staff, but instead keep the number of full-time employees as small as possible. The employee ranks swell with contractors once the studio gets hired to produce an anime, then contract again once the project is done. Tear was operating normally up until the end of November, with its latest work, "Fragtime," starting its theatrical screenings on November 22, and it wasn’t until a contractor tweeted about not yet being paid that the general public realized the company had gone dark.

According to Tokyo Shoko Research, Next Batters’ Circle, the official name of the company to which Tear Studio belongs, owes about 8 million yen in unpaid workers’ fees. However, that figure is dwarfed by the approximately 43 million yen in debt Tear owes to its creditors. Depending on how the bankruptcy proceedings shake out, it’s possible that creditors will be ruled to have priority over the unpaid contractors, which would leave them with no viable way of getting the money they were promised by Tear.

Next Batters’ Circle, which has a facility in Sendai in addition to its main Tokyo studio, says that its situation was caused by rising labor costs, which eventually outstripped the payments it was receiving to produce anime. However, another startling figure in Tokyo Shoko Research’s report is that Next Batters’ Circle was founded in 2013 with just 500,000 yen of capital. Starting a company with barely enough money to buy a couple big-screen TVs seems like an incredibly flimsy safety net, and was likely contributed to the company taking on a huge amount of debt when operating costs ended up being higher than it had anticipated.

Source: Tokyo Shoko Research via Livedoor News via Otakomu

Read more stories from SoraNews24.

-- A Silent Voice, anime film about bullied deaf girl, has an emotional new trailer【Video】

-- Vending machines in Tokyo Station not getting restocked, exploitative “black company” to blame

-- Tokyo court rules that hotels must pay NHK fees according to the number of rooms with TVs

© SoraNews24

©2024 GPlusMedia Inc.

9 Comments
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Reminder this is Tear studio’s final full-length show for tv...

youtube.com/watch?v=aYpux8jM6Go

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I wish the article had mentioned a few more examples of this Anime Studio.

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How can a studio like this exist? Just contract out all the work and have barely any permanent staff, and just undercut everyone else's bid to get jobs? It sounds like anyone can create a studio this way, just hire a bunch of contractors to do all the work and a couple of salespeople for the contracts! Good riddance.

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If they're contractors, maybe it's time to create a SAGAFTRA equivalent to ensure high pay and inability to hire outside that guild (union). Actors went from being paid (adjusted for inflation) $100 for role in show to $500,000+.

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And movies are still affordable.

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Why does she want to peek under her skirt

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@Madden: the article states that most anime studios do this, not just Tear. The reason is simple enough: studios can end up working on multiple projects at once, or just one project, depending on a fairly broad range of factors. Having 500 full time staff on when you have only one project that requires a fraction of that means that you'll have a surplus of staff members getting paid to do nothing. Contracting when work needs doing prevents this. Most companies do this just fine and it's no problem. Tear on the other hand... they dropped the ball. Big time.

Tear's founders were not the sharpest tools in the shed. Starting a company with such a small amount of capital is highly foolish. It shows a worrying lack of forward planning. It was doomed from the start, but I guess the employees/contractors were kept in the dark about this fact and so didn't realise they were on a sinking ship. That's rough, and by the sounds of things they probably won't get compensated either. I hope they're able to get work with better, more reliable companies in order to cushion the blow from this fiasco. It's still going to be tough for them even so, though.

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